Faith Mowbray

I’m led by the material qualities of clay, starting with the patterns which form on the surface of my slip bucket. I’ve experimented with processes which make the fired objects feel alive: piping, pinching and twisting clay, so that in the high temperatures of the kiln it wriggles and unfurls. I’m inspired by the lightness, frivolity and novelty of 18th and 19th century porcelain.